The theater in downtown Berkeley was half empty. Judging from this and the trailers we’d seen, we looked at each other slightly concerned.
Our concern went away very quickly. Starting with the usual Pixar short, titled Day & Night we were blown away. The short is hard to describe because of its simplicity: it consists of two characters (“Day” and “Night”) that walk through the screen and see in their “transparent” bodies the world they are living in projected (I hope this description makes SOME sense).
The brilliant and thought-provoking short led to a classic Toy Story-style opening, that quickly got us hooked. The glasses sure help the delivery but the movie hardly seems to force any “3-D kung-fu” moves that have become such a staple lately.
But in the midst of the ever-improving animation, the story (written by Little Miss Sunshine‘s Michael Arndt) continued to show why Pixar is one of the best studios out there. A whole slew of new characters get introduced in this movie and the bulk of it takes place in a new environment: a daycare where the main characters get played with (read abused) by a bunch of crazy toddlers.
I won’t give out much about the movie here. There is lots of laughs: the now-famous Spanish-talking Buzz Lightyear, resulting from a reboot of the figure in the movie, is hilarious! There is also lots of special moments that may make you shed a tear… I know someone who did. š
I know the string of perfect reviews for Pixar movies has been broken. But I don’t care. The story and the delivery of the closing movie for the Toy Story series was amazing: it’s, simply put, the best movie they’ve put out since Finding Nemo.